Alex Mitcalfe Wilson
Winner - 2012
“I BELIEVE THAT POETRY IS A MEANS OF ENGAGING INTENSIVELY WITH THE COMPLEXITY OF OUR WORLD. I VALUE THE SPACE IT PROVIDES TO APPROACH FASCINATING, DIFFICULT AND REWARDING TOPICS IN NOVEL WAYS. TO ME, POETRY IS THOUGHT AND LANGUAGE WORKING AS HARD AS THEY CAN, TOGETHER; SOMETHING I FIND BOTH EXHILARATING AND EXHAUSTING!”
This poem was inspired by an exhibition of photographs by Japanese photographer Kohei Yoshiyuki at the Adam Art Gallery in Wellington.
YOSHIYUKI,
after THE PARK by Kohei Yoshiyuki
Our eyes strobed with flashing red
we see branches lit like tunnels
and thus we too are watching
each touching the others, as in pictures
the man the men each holding
for a moment and each not receding
unlike the moment, they too are receding
not knowing and not ashamed by red
lights growing in camera, not holding
the light, letting it strobe the grass and tunnel
the flash bulb recording serial pictures
holding back dark in watching
but not this darkness, under fences watching
nor any in plastic sheaths receding,
caught blank in leaving picture
houses so white grained, the light that red
still embers burning outside the tunnels
inside the park, inside the man still holding
the man beside the tree still holding
but not naming, not by anything but men watching
and mouths; the mouth on him eclipsing tunnels
and all the glow dimming on him receding
this eye memory of names once read
still fading, now framing pictures
of those bananas pink, white like pictures
growing leaves, this bark for a moment holding
light and some bodies lit invisible red
by cold bulbs breaking; still watching
the men the women the branches receding
the men the two lights shining back in two tunnels
with the black and light still dark, these tunnels
not ashamed; even of themselves, we picture
no memory in these instants, grappled and receding,
now withdrawn and no more holding
the flash the experience or light of watching;
only here as light and as light knowing this red
and this receding, pulling smoked from those tunnels
the green grass red, in light of these pictures
the grains fast, holding hands in this watching